Myth and Patriarchy in Deepa Mehta's Heaven on Earth

dc.cclicenceCC-BY-NCen
dc.contributor.authorRidon, Manjeet
dc.date.acceptance2014-10-08
dc.date.accessioned2020-04-29T10:09:04Z
dc.date.available2020-04-29T10:09:04Z
dc.date.issued2014-10-08
dc.description.abstractThis article analyses how Heaven on Earth (2008) uses Indian mythology to expose the reality of culturally driven violence against Sikh Punjabi women in Canada, occurring as a result of transnational marriages between diaspora-based Non-Resident Indian (hereafter NRI) men and Sikh Punjabi women. Referring to Bruce Lincoln’s theory of myth as ideology, I argue that the film explores how some of these women have experienced marginalisation and how a discourse of abuse can be challenged through myth.en
dc.funderNo external funderen
dc.identifier.citationRidon, M. (2014) Myth and Patriarchy in Deepa Mehta's Heaven on Earth. Journal of Punjab Studies, 21(2), pp, 223-244.en
dc.identifier.otherpdfs.semanticscholar.org
dc.identifier.urihttps://dora.dmu.ac.uk/handle/2086/19543
dc.language.isoenen
dc.peerreviewedYesen
dc.publisherUniversity of Californiaen
dc.researchinstituteInstitute of Englishen
dc.subjectSouth Asian Canadianen
dc.subjectPunjabi Indianen
dc.subjectPatriarchyen
dc.subjectMythologyen
dc.subjectDiasporaen
dc.subjectGirish Karnaden
dc.subjectimmigrationen
dc.subjectBollywooden
dc.subjectSnakesen
dc.subjectSheesh Naagen
dc.subjectBruce Lincolnen
dc.subjectNon-Resident Indianen
dc.subjectNRIen
dc.titleMyth and Patriarchy in Deepa Mehta's Heaven on Earthen
dc.typeArticleen

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