Dogmatic Shakespeare: a recognition of ghostly presences in Thomas Vinterberg's Festen and Kristian Levring's The King is Alive
| dc.contributor.author | Griggs, Yvonne | en |
| dc.date.accessioned | 2012-08-10T14:50:04Z | |
| dc.date.available | 2012-08-10T14:50:04Z | |
| dc.date.issued | 2009-09-01 | |
| dc.identifier.citation | Griggs, Y. (2009) Dogmatic Shakespeare: a recognition of ghostly presences in Thomas Vinterberg's Festen and Kristian Levring's The King is Alive. Journal of Adaptation in Film & Performance, 2 (2) pp.109-119. | en |
| dc.identifier.doi | https://doi.org/10.1386/jafp.2.2.109_1 | |
| dc.identifier.issn | 1753-6421 | |
| dc.identifier.uri | http://hdl.handle.net/2086/6792 | |
| dc.language.iso | en | en |
| dc.peerreviewed | Yes | en |
| dc.publisher | Intellect. | en |
| dc.ref2014.selected | 1365776196_0510680149204_29_2 | |
| dc.researchgroup | English Research Group | en |
| dc.title | Dogmatic Shakespeare: a recognition of ghostly presences in Thomas Vinterberg's Festen and Kristian Levring's The King is Alive | en |
| dc.type | Article | en |
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