Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive

dc.contributor.authorGriggs, Yvonneen
dc.date.accessioned2012-08-09T11:12:44Z
dc.date.available2012-08-09T11:12:44Z
dc.date.issued2008-09-26
dc.identifier.citationGriggs, Y. (2008) Dogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Alive. Third Annual Conference of the Literature on the Screen Association, Amsterdam, September 24th - 26th.en
dc.identifier.urihttp://hdl.handle.net/2086/6751
dc.language.isoenen
dc.researchgroupEnglish Research Groupen
dc.titleDogmatic Shakespeares: A “recognition of ghostly presences” in Thomas Vinterberg’s Festen and Kristian Levring’s The King is Aliveen
dc.typeConferenceen

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