An electroacoustic society: schismogenetical trends in Trevor Wishart's Globalalia

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dc.cclicenceN/Aen
dc.contributor.authorDahan, Kevinen
dc.date.accessioned2016-10-18T13:17:57Z
dc.date.available2016-10-18T13:17:57Z
dc.date.issued2014-08
dc.funderN/Aen
dc.identifier.citationDahan, K. (2014) An electroacoustic society: schismogenetical trends in Trevor Wishart's Globalalia. eOrema 2en
dc.identifier.doihttps://doi.org/10.3943/001.2014.08.0201
dc.identifier.issn2052-7888
dc.identifier.urihttp://hdl.handle.net/2086/12702
dc.identifier.urihttp://orema.dmu.ac.uk/eorema/electroacoustic-society-schismogenetical-trends-trevor-wishart%E2%80%99s-globalalia
dc.identifier.urihttp://www.orema.dmu.ac.uk/eorema/electroacoustic-society-schismogenetical-trends-trevor-wishart%E2%80%99s-globalalia
dc.language.isoenen
dc.peerreviewedYesen
dc.projectidN/Aen
dc.publisherDe Montfort Universityen
dc.researchgroupMusic, Technology and Innovation Research Centre
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en
dc.subjectelectroacousticen
dc.subjectmusic analysisen
dc.subjectmusicologyen
dc.titleAn electroacoustic society: schismogenetical trends in Trevor Wishart's Globalaliaen
dc.typeArticleen

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