Performance

dc.contributor.author	Cruickshank, Tracy	en
dc.date.accessioned	2015-02-04T10:29:09Z
dc.date.available	2015-02-04T10:29:09Z
dc.date.issued	2014
dc.description.abstract	This chapter looks to recent and established positions in the fields from which stylistics and performance might respectively be plucked and offers, with further reference to cognate critical theories, an analysis of Richard Bean’s play England People Very Nice (2009) and Jez Butterworth’s Jerusalem (2009). Beginning with a discussion of the performance and representation of England in the staged and fictional worlds of the plays, analysis later focuses on Mark Rylance’s performance as Johnny Rooster Byron in the closing minutes of the 2011–12 production of Jerusalem at The Apollo Theatre, London (dir. Rickson 2011).	en
dc.explorer.multimedia	No	en
dc.funder	n/a	en
dc.identifier.citation	Cruickshank, T. (2014) Performance. In: Peter Stockwell and Sara Whiteley (eds.) The Handbook of Stylistics, Cambridge: Cambridge University Press, pp. 456-466	en
dc.identifier.doi	https://doi.org/10.1017/cbo9781139237031.034
dc.identifier.isbn	9781107028876
dc.identifier.uri	http://hdl.handle.net/2086/10625
dc.language.iso	en	en
dc.peerreviewed	Yes	en
dc.projectid	n/a	en
dc.publisher	Cambridge University Press	en
dc.researchgroup	Performance Research Group	en
dc.subject	Stylistics	en
dc.subject	performance	en
dc.subject	Richard Bean	en
dc.subject	Jez Butterworth	en
dc.title	Performance	en
dc.type	Book chapter	en

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