Practice, process and aesthetic reflection in Electroacoustic Music.

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dc.contributor.authorYoung, John
dc.date.accessioned2011-03-23T11:54:05Z
dc.date.available2011-03-23T11:54:05Z
dc.date.issued2007-04
dc.description.abstractThis is an editorial article introducting ideas around the relationship between practice and the emerging theory of electroacoustic music.en
dc.identifier.citationYoung, J. (2007) Practice, Process and Aesthetic Reflection in Electroacoustic Music. Organised Sound, 12 (1) pp.1-3 [editorial article].en
dc.identifier.doihttps://doi.org/10.1017/S1355771807001628
dc.identifier.issn1355-7718
dc.identifier.urihttp://hdl.handle.net/2086/4772
dc.language.isoenen
dc.peerreviewedYesen
dc.publisherCambridge University Pressen
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en
dc.subjectcreative practiceen
dc.subjectelectroacoustic musicen
dc.subjectcompositional techniqueen
dc.titlePractice, process and aesthetic reflection in Electroacoustic Music.en
dc.typeArticleen

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