Sound synthesis and composition with compression-controlled feedback
| dc.contributor.author | Battey, B. | en |
| dc.date.accessioned | 2012-03-06T15:34:41Z | |
| dc.date.available | 2012-03-06T15:34:41Z | |
| dc.date.issued | 2011-08 | |
| dc.description.abstract | This paper introduces a method of sound synthesis that is based on the use of automatic gain control (AGC) in a time-delayed feedback loop. The approach, which the author calls "Compressed Feedback Synthesis" (CFS), can be conceptualized as a special expansion of a generalized comb filter, where feedback gain can be unity or greater. The system can be expanded with additional processing in the feedback loop to create a highly flexible and sensually engaging sound materials. The use of CFS in the author's audiovisual composition Sinus Aestum is discussed, including specific solutions to the challenging of controlling such a system compositionally. | en |
| dc.explorer.multimedia | No | en |
| dc.identifier.citation | Battey, B. (2011) Sound Synthesis and Composition with Compression-Controlled Feedback". In the Proceedings of the International Computer Music Conference, 2011, Huddersfield University, UK. | en |
| dc.identifier.uri | http://hdl.handle.net/2086/5662 | |
| dc.language.iso | en | en |
| dc.peerreviewed | Yes | en |
| dc.publisher | International Computer Music Association | en |
| dc.researchgroup | Music, Technology and Innovation Research Centre | en |
| dc.researchinstitute | Music, Technology and Innovation - Institute for Sonic Creativity (MTI2) | en |
| dc.subject | sound synthesis | en |
| dc.subject | feedback | en |
| dc.subject | comb filter | en |
| dc.subject | automatic gain control | en |
| dc.subject | amplitude compression | en |
| dc.subject | algorithmic composition | en |
| dc.subject | audiovisual | en |
| dc.title | Sound synthesis and composition with compression-controlled feedback | en |
| dc.type | Article | en |