Mapping Cinema Memories: Emotional Geographies of Cinema-going in Rome in the1950s

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dc.cclicenceN/Aen
dc.contributor.authorErcole, Pierluigien
dc.contributor.authorO'Rawe, Catherine G.en
dc.contributor.authorTreveri Gennari, Danielaen
dc.date.acceptance2015-03-28en
dc.date.accessioned2016-09-26T10:37:47Z
dc.date.available2016-09-26T10:37:47Z
dc.date.issued2017-01-03
dc.description.abstractThis article, based on the UK Arts and Humanities Research Council -funded project (2013-16), ‘In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity’, explores the power of geo-visualization for capturing the affective geographies of cinema audiences. This mapping technique, used in our project to interrogate the Italian exhibition sector as well as to map film distribution, is explained to illustrate the affective and emotional dimensions of cartographic practices related to memory. The article firstly examines the imbrication of memory and space, before moving on to a discussion of our mapping of the memories of one single respondent and the questions this mapping raises about geographical and remembered space, mobility, and the relation between mapping and life-cycles
dc.funderN/Aen
dc.identifier.citationErcole, P., Treveri Gennari, D, O'Rawe, C. G. (2017) Mapping Cinema Memories: Emotional Geographies of Cinema-going in Rome in the1950s. Memory Studies, 10 (1), pp. 63-77en
dc.identifier.doihttps://doi.org/10.1177/1750698016670793
dc.identifier.urihttp://hdl.handle.net/2086/12630
dc.peerreviewedYesen
dc.projectidN/Aen
dc.researchgroupCinema and Television History Research Centre
dc.researchinstituteCinema and Television History Institute (CATHI)en
dc.rights.embargoreasonOutput deposited on University of Bristol repository http://research-information.bristol.ac.uk/en/publications/mapping-cinema-memories(f956b3e7-3218-4bc9-9708-c8f4b6b6b78b).html
dc.titleMapping Cinema Memories: Emotional Geographies of Cinema-going in Rome in the1950sen
dc.typeArticleen

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