Partial Objects: A perspective of Spectralism.

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dc.cclicenceCC-BY-NCen
dc.contributor.authorYoung, John
dc.date.acceptance2021-07-29
dc.date.accessioned2023-05-02T16:18:31Z
dc.date.available2023-05-02T16:18:31Z
dc.date.issued2021-09-23
dc.descriptionVisiones Sonoras 17 was an online conference. This paper was presented in online video format.en
dc.description.abstractAcousmatic music has brought us face-to-face with the idea that the internal structure of sound can be a source of compositional ideas. This resonantes strongly with Spectralist conceptions of musical form (viz. Grisey’s call to ‘no longer compose with notes, but with sounds’). But where Spectralist instrumental music often involves translations of a spectromorphological structure, acousmatic music deals in the moment-by-moment reality of the sonic object itself. Two musical consequences of this are identified: the bypassing of micro-interval approximations necessitated in much Spectralist instrumental music and the capacity to progressively unravel a sound to create new ‘partial’ objects.en
dc.funderNo external funderen
dc.identifier.citationYoung, J. (2021) Partial Objects: A perspective of Spectralism. Paper presented at Visiones Sonoras17, CMMAS, Mexico, https://en.cmmas.com/projects-3/partial-objects%3A-a-perspective-on-spectralism---john-young-(reino-unido)en
dc.identifier.urihttps://en.cmmas.com/projects-3/partial-objects%3A-a-perspective-on-spectralism---john-young-(reino-unido)
dc.identifier.urihttps://hdl.handle.net/2086/22798
dc.language.isoenen
dc.peerreviewedYesen
dc.publisherCentro Mexicano para la Música y las Artes Sonoras (Mexican Centre for Music and Sonic Arts)en
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en
dc.subjectSpectralismen
dc.subjectelectroacoustic musicen
dc.titlePartial Objects: A perspective of Spectralism.en
dc.typeConferenceen

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