Exploration of sound-based music composition tools and techniques for Hollywood-style science fiction films
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Abstract
This practice-based thesis explores the application of electroacoustic music composition techniques and tools in the context of entertainment science fiction film.
After an initial exploration of existing theories in the fields of electroacoustic music and film sound, a practical theory to evaluate and classify suitable sound sources is proposed to enable to composer to derive an amalgamation of the otherwise two distinct components sound and music. An approach from the perspective of sound-based music theories will be the starting point for this type of soundtrack. Based on Simon Emmerson’s analytical tool, the language grid a practical application of sounds which are traditionally not considered musical is facilitated. Eventually—and at the minimum—this musical language is meant to supplement if not replace the traditional orchestral sound world.
Additional findings of the study include insights in the creation and usability of new instruments, tools to quickly apply and generate textures and gestures. During the research it has furthermore been concluded that while spatial mixing can be of major importance for sound-based music in the context of film, its successful application is stymied by a lack of flexibility (i.e. technological tools) to quickly render up- or downmixes for various settings. Additionally, the limited availability of suitable tools seems to prevent a wider application because of a lack of consistency in the implementation and use of audio standards in cinemas. Currently, a consistent audio experience regardless of the viewer’s positioning in the cinema space can unfortunately not be guaranteed.
The accompanying demonstration portfolio pieces are segments of scores for the science fiction films Star Trek First Contact, Dawn of the Planet of the Apes and Gravity. Each segment provides a practical exploration of the proposed theory to demonstrate the practicality of electro-acoustic music concepts and composition tools.