The use of microphone level balance in blending the timbre of horn and bassoon players

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dc.cclicenceN/Aen
dc.contributor.authorLembke, Sven-Aminen
dc.contributor.authorLevine, Scotten
dc.contributor.authorde Francisco, Marthaen
dc.contributor.authorMcAdams, Stephenen
dc.date.accessioned2016-04-12T10:41:20Z
dc.date.available2016-04-12T10:41:20Z
dc.date.issued2015-10
dc.descriptionCenter for Interdisciplinary Research on Music Media and Technology (CIRMMT), McGill Universityen
dc.description.abstractA common musical aim of orchestration is to achieve a blended timbre for certain instrument combinations. Its success has been shown to also depend on the timbral coordination between musicians during performance, which this study extends by adding the subsequent involvement of sound engineers. We report the results from a production experiment in which sound engineers mixed independent feeds for a main and two spot microphones to blend the timbre of pairs of bassoon and horn players in a two-channel stereo mix. The balance of microphone feeds can be shown to be affected by leadership roles between performers, the musical material, and aspects related to room acoustics and performer characteristics.en
dc.explorer.multimediaNoen
dc.fundernoneen
dc.identifier.citationLembke, S.-A. et al., (2015) The use of microphone level balance in blending the timbre of horn and bassoon players. In: Audio Engineering Society Convention 139. New York.en
dc.identifier.urihttp://www.aes.org/e-lib/browse.cfm?elib=17954
dc.identifier.urihttp://hdl.handle.net/2086/11873
dc.language.isoen_USen
dc.peerreviewedYesen
dc.projectidnoneen
dc.publisherJournal of the Audio Engineering Societyen
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en
dc.subjectmusicen
dc.subjectaudio engineeringen
dc.subjectauditory perceptionen
dc.titleThe use of microphone level balance in blending the timbre of horn and bassoon playersen
dc.typeConferenceen

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