Visual Theogonies: Chance, control, and automation in algorithmic art
dc.cclicence | CC-BY-NC | en |
dc.contributor.author | Poltronieri, Fabrizio Augusto | en |
dc.date.acceptance | 2018-09-10 | en |
dc.date.accessioned | 2019-01-03T09:17:59Z | |
dc.date.available | 2019-01-03T09:17:59Z | |
dc.date.issued | 2018-10-01 | |
dc.description | The file attached to this record is the author's final peer reviewed version. The Publisher's final version can be found by following the DOI link. | en |
dc.description.abstract | This short article explores relations between chance and control in the field of algorithmic art, using as a case study the series of artworks Visual Theogonies (2014), which arose out of a playful game with the poem ‘Theogony: The Origin of the Gods’, by the Greek poet Hesiod. | en |
dc.exception.reason | Accepted more than three months after publication due to Christmas close down period | en |
dc.exception.ref2021codes | 254b | en |
dc.funder | N/A | en |
dc.identifier.citation | Poltronieri, F. A. (2018) The Visual Theogonies: Chance, control, automation and algorithmic art. Journal of Gaming & Virtual Worlds, 10 (3), pp. 287–293 | en |
dc.identifier.doi | https://doi.org/10.1386/jgvw.10.3.287_3 | |
dc.identifier.issn | 1757-191X | |
dc.identifier.issn | 1757-1928 | |
dc.identifier.uri | http://hdl.handle.net/2086/17384 | |
dc.language.iso | en | en |
dc.peerreviewed | Yes | en |
dc.projectid | N/A | en |
dc.publisher | Intellect Ltd | en |
dc.researchgroup | Institute of Creative Technologies | en |
dc.researchinstitute | Institute of Artificial Intelligence (IAI) | en |
dc.researchinstitute | Institute of Creative Technologies (IOCT) | en |
dc.researchinstitute | Institute of Art and Design | en |
dc.subject | Chance | en |
dc.subject | Control | en |
dc.subject | Automation | en |
dc.subject | Art | en |
dc.subject | Algorithms | en |
dc.subject | Cybernetic Serendipity | en |
dc.title | Visual Theogonies: Chance, control, and automation in algorithmic art | en |
dc.type | Article | en |
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