Radical Documentary and the GardenShip Project

dc.cclicenceCC-BY-NCen
dc.contributor.authorKasumovic, Mark
dc.date.acceptance2022-11-01
dc.date.accessioned2023-03-16T11:35:40Z
dc.date.available2023-03-16T11:35:40Z
dc.date.issued2023-04-18
dc.description.abstractGardenShip and State embraces a form of radical curating that seeks to address issues which, due to their scale and complexity, are inherently difficult to represent. In his essay, “Are Some Things Unrepresentable?” Jacques Rancière scrutinizes the challenges inherent within representation. He locates these challenges in the aesthetic and political limitations embedded within the contemporary image. The pursuit of depicting and questioning problems that are as intermingled and multifaceted as global warming and colonization must address these limitations head-on. This opens up an important conversation whereby issues of representation within contemporary culture must be considered alongside notions of documentary, critical curating and new ways of displaying images together.en
dc.funderOther external funder (please detail below)en
dc.identifier.citationKasumovic, M. (2023) Radical Documentary and the GardenShip Project. In: Skinner, R. (ed.) GardenShip and State. Edmonton: University of Alberta Press, pp. 106-113en
dc.identifier.urihttps://hdl.handle.net/2086/22610
dc.language.isoenen
dc.peerreviewedNoen
dc.publisherUniversity of Alberta Pressen
dc.researchinstituteInstitute of Art and Designen
dc.titleRadical Documentary and the GardenShip Projecten
dc.typeBook chapteren

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