The extended environment.
dc.contributor.author | Young, John | |
dc.date.accessioned | 2011-03-22T10:21:24Z | |
dc.date.available | 2011-03-22T10:21:24Z | |
dc.date.issued | 1994 | |
dc.description.abstract | The potential in electroacoustic music to amalgamate sounds of natural real-world sources with the powerful signal processing and synthesis offered by computers makes possible interplay between different levels of sonic "reality" and "abstraction". A range of works is discussed in terms of this reality-abstraction continuum, suggesting ways in which articulation of the continuum, through mediation and juxtaposition, offers useful levels of structural interpretation in electroacoustic music. | en |
dc.identifier.citation | Young, John. (1994) The Extended Environment. Aarhus: Proceedings of the 1994 International Computer Music Conference. Aarhus: Danish Institute of Electroacoustic Music: pp. 23-26. | en |
dc.identifier.uri | http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=icmc;idno=bbp2372.1994.007;cc=icmc;view=image | |
dc.identifier.uri | http://hdl.handle.net/2086/4767 | |
dc.language.iso | en | en |
dc.peerreviewed | Yes | en |
dc.publisher | International Computer Music Association | en |
dc.researchgroup | Music, Technology and Innovation Research Centre | en |
dc.researchinstitute | Music, Technology and Innovation - Institute for Sonic Creativity (MTI2) | en |
dc.subject | electroacoustic music | en |
dc.subject | reality-abstraction continuum | en |
dc.subject | sound source recognition | en |
dc.subject | sound transformation | en |
dc.title | The extended environment. | en |
dc.type | Conference | en |