The extended environment.

dc.contributor.authorYoung, John
dc.date.accessioned2011-03-22T10:21:24Z
dc.date.available2011-03-22T10:21:24Z
dc.date.issued1994
dc.description.abstractThe potential in electroacoustic music to amalgamate sounds of natural real-world sources with the powerful signal processing and synthesis offered by computers makes possible interplay between different levels of sonic "reality" and "abstraction". A range of works is discussed in terms of this reality-abstraction continuum, suggesting ways in which articulation of the continuum, through mediation and juxtaposition, offers useful levels of structural interpretation in electroacoustic music.en
dc.identifier.citationYoung, John. (1994) The Extended Environment. Aarhus: Proceedings of the 1994 International Computer Music Conference. Aarhus: Danish Institute of Electroacoustic Music: pp. 23-26.en
dc.identifier.urihttp://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=icmc;idno=bbp2372.1994.007;cc=icmc;view=image
dc.identifier.urihttp://hdl.handle.net/2086/4767
dc.language.isoenen
dc.peerreviewedYesen
dc.publisherInternational Computer Music Associationen
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en
dc.subjectelectroacoustic musicen
dc.subjectreality-abstraction continuumen
dc.subjectsound source recognitionen
dc.subjectsound transformationen
dc.titleThe extended environment.en
dc.typeConferenceen

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