When Britannia Ruled the Sound Waves: Britain’s Transition to Sound in its European Context

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dc.cclicenceCC-BYen
dc.contributor.authorBrown, Geoffen
dc.date.acceptance2018-07-30en
dc.date.accessioned2018-09-27T08:27:42Z
dc.date.available2018-09-27T08:27:42Z
dc.date.issued2018
dc.funderAHRC (Arts and Humanities Research Council)en
dc.identifier.citationBrown, G. (2018) When Britannia Ruled the Sound Waves: Britain’s Transition to Sound in its European Context. Music, Sound, and the Moving Image, 12 (2)en
dc.identifier.doihttps://doi.org/10.3828/msmi.2018.7
dc.identifier.issn1753-0768
dc.identifier.issn1753-0776
dc.identifier.urihttp://hdl.handle.net/2086/16644
dc.language.isoenen
dc.peerreviewedYesen
dc.projectidAH/L013800/1en
dc.publisherLiverpool University Press Onlineen
dc.researchgroupCinema and Television History Institute (CATHI)en
dc.researchinstituteCinema and Television History Institute (CATHI)en
dc.titleWhen Britannia Ruled the Sound Waves: Britain’s Transition to Sound in its European Contexten
dc.typeArticleen

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