Displaced Homo Viatores/Liminal Personae - Emilio Pettoruti & Lina Bo Bardi. Defying Classification in the Cultural Spaces between the Old & New Worlds

Simple item page
dc.cclicenceCC-BY-NC-NDen
dc.contributor.authorEpolito, G.en
dc.date.acceptance2017-08-31en
dc.date.accessioned2017-10-10T14:46:38Z
dc.date.available2017-10-10T14:46:38Z
dc.date.issued2017-04-08
dc.description.abstract‘The attributes of liminality or of liminal personae (“threshold people”) are necessarily ambiguous, since this condition and these people elude or slip through the network of classifications that normally locate states and positions in cultural space.’ 1 ‘… Travellers are often cast in the role of structuralists, necessarily binarized, engaged in an outsiderly process of judgement and comparison.’ 2 The list of Italian cultural contributions into South America is exhaustive. Typical of most immigrant groups, Italians often contributed objects that resembled or represented the displacement of their European culture, sometimes with little regard for their new context. The architectural works of Ernesto Vespignani’s neo-Lombard Romanesque in Argentina and those of Marcello Piacentini’s own signature stilo littorio in Brazil strangely represented misplaced Italian architectural movements that were both associated with debates of Italian nationalism. More sentimental examples resembling Italian-ness in a foreign condition could be found in the everyday scenes of Italian immigrant life in rural and urban landscapes depicted by Italian painters such as Lorenzo Gigli in Argentina and Alfredo Volpi in Brazil. The cultural productions of Italo-Argentine painter Emilo Pettoruti and Italian architect Lina Bo Bardi differ, I argue, because they were able to adorn the guise of ‘liminal personae’ in order to critically ‘engage in an outsiderly process of judgement and comparison’. The gaze of the wayfarer, a homo viator of modernity in a strange world, that both Pettoruti in Italy and Bo Bardi in Brazil adopted, enabled each to avoid the strict confines of national identity, political affiliation, and classification of any single artistic movement. This essay presents the works of Pettorurti and Bo Bardi as threshold people, in contrast to many others who contributed elements of Italian cultural production in Argentina and Brazil. 1 V.W. Turner, The Ritual Process (Harmondsworth: Penguin Books, 1974), 81. 2 Curtis and Pajaczkowska, “Getting there: travel, time and narrative” in Travellers Tales Narratives of home and displacement (New York and London: Routledge, 1994) 201.en
dc.funderN/Aen
dc.identifier.citationEpolito, G. (2017) Displaced Homo Viatores/Liminal Personae - Emilio Pettoruti & Lina Bo Bardi.Defying Classification in the Cultural Spaces between the Old & New Worlds. Heritages of Migration: Moving Stories, Objects and Home, Museum of Immigration, Buenos Aires, Argentinaen
dc.identifier.urihttp://hdl.handle.net/2086/14595
dc.language.isoenen
dc.peerreviewedNoen
dc.projectidN/Aen
dc.titleDisplaced Homo Viatores/Liminal Personae - Emilio Pettoruti & Lina Bo Bardi. Defying Classification in the Cultural Spaces between the Old & New Worldsen
dc.typeConferenceen

Files

Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
Epolito Displaced Homo Viatores.pdf
Size:
208.18 KB
Format:
Adobe Portable Document Format
Description:
Main essay
Download
License bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
license.txt
Size:
4.2 KB
Format:
Item-specific license agreed upon to submission
Description:
Download

Collections

School of Art, Design and Architecture