Editorial: The sonic and the electronic in improvisation
dc.cclicence | CC-BY-NC | en |
dc.contributor.author | Andean, James | |
dc.date.acceptance | 2021-04-01 | |
dc.date.accessioned | 2021-06-24T14:17:57Z | |
dc.date.available | 2021-06-24T14:17:57Z | |
dc.date.issued | 2021-04-30 | |
dc.description.abstract | Editorial for a guest edited issue of the journal Organised Sound on the theme of 'The sonic and the electronic in improvisation'. | en |
dc.funder | No external funder | en |
dc.identifier.citation | Andean, J. (2021) 'Editorial: The sonic and the electronic in improvisation'. Organised Sound 26 (1), pp. 1-4 | en |
dc.identifier.doi | https://doi.org/10.1017/s1355771821000182 | |
dc.identifier.uri | https://dora.dmu.ac.uk/handle/2086/21055 | |
dc.language.iso | en | en |
dc.peerreviewed | No | en |
dc.publisher | Cambridge University Press | en |
dc.researchinstitute | Music, Technology and Innovation - Institute for Sonic Creativity (MTI2) | en |
dc.subject | Improvisation | en |
dc.subject | Music | en |
dc.subject | Electroacoustic | en |
dc.title | Editorial: The sonic and the electronic in improvisation | en |
dc.type | Article | en |