Gravities, trajectories and Postcards: the heard space in intermedial performance.
| dc.cclicence | CC-BY-NC | en |
| dc.contributor.author | Vear, Craig | |
| dc.date.accessioned | 2019-05-16T14:29:11Z | |
| dc.date.available | 2019-05-16T14:29:11Z | |
| dc.date.issued | 2019-05-14 | |
| dc.description.abstract | As this is a short essay, I will get straight to the point. In doing so I expose that fact that I am audile , and believe that sound is a significant part of the audio-visual contract of live performance. Actually, I would argue it to be more foundational than that: ‘A head space in which the seen bathes’ (Chion 1994) . However, considering sound to be of such a foundational influential (the heard space) in intermedial performance ( … in which the seen bathes) presents significant challenges to those wishing to incorporate it in their work. This is particularly relevant to composers/ sound artists wishing to engage with intermedial performance, and intermedial performance-makers wishing to include sound-based media in their works. The challenge for both of these performance-makers is there is no sound-specific intermedia model with which to discuss and apply the affect and inter-effectivity of sound-media on experience within intermedial performance. This essay, therefore, introduces my conceptualisation of how we can get-to-grips with the affectual qualities of sounds within the audio-visual contract of a live performative experience. | en |
| dc.funder | No external funder | en |
| dc.identifier.citation | Vear, C. (2019) Gravities, trajectories and Postcards: the heard space in intermedial performance. In: Crossley, M. (ed.) Intermedial Theatre, London: Macmillan. | en |
| dc.identifier.isbn | 9781137611574 | |
| dc.identifier.uri | https://www.dora.dmu.ac.uk/handle/2086/17844 | |
| dc.language.iso | en | en |
| dc.peerreviewed | Yes | en |
| dc.publisher | Macmillan | en |
| dc.researchinstitute | Institute of Creative Technologies (IOCT) | en |
| dc.subject | Intermeidla theatre | en |
| dc.subject | music | en |
| dc.title | Gravities, trajectories and Postcards: the heard space in intermedial performance. | en |
| dc.type | Book chapter | en |