Trace

Date

2003

Advisors

Journal Title

Journal ISSN

ISSN

DOI

Volume Title

Publisher

Premiered Fylkingen, Stockholm, December 2003

Type

Other

Peer reviewed

Yes

Abstract

This work presents an electroacoustically extended sound-image of the saxophone. Samples were recorded with the Swedish saxophone virtuoso Jorgen Pettersson and the source material includes two basic types: multiphonics selected from Daniel Kientzy’s book Les Sons Multiples aux Saxophones, and more noisy improvised sounds made by Pettersson. The musical processes in the work depart from deconstruction of the characteristics of the instrument, such as noise attacks and individual spectral components of steady state sections of sound, which are recombined here to form new expressions of the instrument’s sonic and gestural signature. Formally, the work is designed as a series of episodes that share sounds developed in different ways and dimensions. The material in this piece was recorded for a work for live saxophone and electroacoustic sounds which will be a companion work to Trace. However, the initial hearing of these sounds presented so many fragile, uniquely subtle shapes captured through recording, that they tempted me into making an acousmatic work.

Description

Keywords

Acousmatic music, sound transformation

Citation

Young, J. (2003) Trace, stereo acousmatic composition, dur 13'03" On 'Sonidos y Visiones del sur 3', Buenos Aires: Universidad Nacional de Lanús, 2007 and 'Sonic Voyages', Hatfield: University of Hertfordshire Recordings, 2007.

Rights

Research Institute

Music, Technology and Innovation - Institute for Sonic Creativity (MTI2)