Celluloid Souls (Performance)

Date

2017-10

Advisors

Journal Title

Journal ISSN

ISSN

DOI

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Publisher

Type

Other

Peer reviewed

Abstract

Movies are part of our collective memory and evoke an emotion of nostalgia, a sense of shared experience; they become part of our biographies and personal histories. Considering how we romanticise cinema, the question arises as to how ‘real’ our feelings can ever be if they are patterned on these pre-existing cultural texts, or blueprints. Zoo Indigo investigates the desires that movies evoke, desires to find love, to find a happy end, to be a hero, to be a villain, to be a sexy villain, to be a sexy German villain in long leather boots.

Description

This is a performance as research project that examines the problematic heteronormative society promoted in Hollywood films and delicately pulls through film as a means of manipulation and propaganda with particular connections to WWII. Spoken in both German and English, this highly visual performance employs humor with a dark underscore, to address representations of gender and cultural identity in different movie genres, using a variety of ridiculous props, costumes, make up, fake moustaches and camera trickery.

Keywords

Contemporary Performance, Theatre, Gender, Propoganda, Film, Feminism, Multi-media

Citation

Garton, R. and Rippel, I. (2017) Celluloid Souls (Performance). Nottingham Playhouse, October 2017.

Rights

Research Institute

Institute of Drama, Dance and Performance Studies