Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship

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dc.contributor.authorLandy, Leighen
dc.date.accessioned2014-06-27T13:07:26Z
dc.date.available2014-06-27T13:07:26Z
dc.date.issued1999-09
dc.description.abstractCelebrating its fiftieth birthday in the late 1990s, electroacoustic music and its associated musicology are very much alive, but not necessarily as well as they might be. This text investigates why musicology is not supporting electroacoustic music adequately. Its focus is the notion of triangulation, that is, investigating whether intent and reception (or application) coincide. Its thesis is: if triangulation were to be increased in all aspects of electroacoustic music, the communities’ work would be more accessible an d, similarly, there would be greater cohesion in music, research and music technological development.en
dc.explorer.multimediaNoen
dc.funderN/Aen
dc.identifier.citationLandy, L. (1999) Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship. International Computer Music Conference 1999 Proceedings. Beijing: pp. 100–103.en
dc.identifier.urihttp://hdl.handle.net/2086/10027
dc.language.isoenen
dc.peerreviewedYesen
dc.projectidN/Aen
dc.publisherInternational Computer Music Assocationen
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en
dc.subjectelectroacoustic musicen
dc.subjectmusicologyen
dc.titleHeightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarshipen
dc.typeConferenceen

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