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dc.contributor.authorGriggs, Yvonneen
dc.date.accessioned2012-08-10T14:50:04Z
dc.date.available2012-08-10T14:50:04Z
dc.date.issued2009-09-01
dc.identifier.citationGriggs, Y. (2009) Dogmatic Shakespeare: a recognition of ghostly presences in Thomas Vinterberg's Festen and Kristian Levring's The King is Alive. Journal of Adaptation in Film & Performance, 2 (2) pp.109-119.en
dc.identifier.issn1753-6421
dc.identifier.urihttp://hdl.handle.net/2086/6792
dc.language.isoenen
dc.publisherIntellect.en
dc.titleDogmatic Shakespeare: a recognition of ghostly presences in Thomas Vinterberg's Festen and Kristian Levring's The King is Aliveen
dc.typeArticleen
dc.identifier.doihttp://dx.doi.org/10.1386/jafp.2.2.109_1
dc.researchgroupEnglish Research Groupen
dc.peerreviewedYesen
dc.ref2014.selected1365776196_0510680149204_29_2


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