Now showing items 1-10 of 30
Mapping perception across the communicative continuum as a prelude to analysis
(Electroacoustic Music Studies Network, 2007)
In this paper the author discusses some of the key issues concerning the role of analysis in electroacoustic (E/A) music. This is followed by an explanation of the role that the Intention/Reception (I/R) method can play ...
Comment l'analyse fondée sur l'écoute peut-elle faciliter la compréhension et l'appréciation de la musique électroacoustique?
(Éditions Delatour, 2015-12)
Comme vous pouvez le constater, j’ai plus ou moins tiré mon titre du thème de la session, tout en y ajoutant quelques mots – en particulier, « appréciation » – j’y viendrai plus bas. Je prévois d’adhérer autant que ...
Forming Form: The bigger picture of electroacoustic music.
(Cambridge University Press, 2016)
Electroacoustic music’s foundation in the electronic mediation of sound—recorded, ‘live’ processed or historical—has opened up the possibility of bringing together sounds of more diverse provenance than ever before for the ...
Measuring Intention Against Reception in Electroacoustic Music
(Sonic Arts Network, 2003-10)
Discovering How Accessible Electroacoustic Music Can Be: The Intention/Reception Project
(Cambridge University press, 2006)
The Intention/Reception (I/R) project concerns an investigation of the relationship between composer intention and listener response in electroacoustic (E/A) compositions. Phase one of the project focuses on E/A compositions ...
The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
(Observatoire Musical Français, 2005)
The opportunity to incorporate real-world sounds into musical works has led to new listening strategies in terms of the musical experience. Given the acute separation between contemporary art music in general and society, ...
Exploring our relationships with sound-based music
(Electroacoustic Music Studies Network, 2008)
In this paper, that is at various times provocative and speculative (for which I beg your indulgence), I outline the initial exploratory stages of a research exercise that looks towards exploring a particular corpus of ...
El Proyecto de Intención/Recepción y su relevancia en el campo de la producción y en el de la educación musical
(Universidad Nacional De Lanus, 2010)
This paper offers an introduction to the Intention/Reception (I/R) project outlining its background, its context, pertinent points concerning the design and operation of its methodology, and some of the key results discovered ...
(Self published composition, 2014-07-01)
Composition for 4, 8 or 12 performers for voice + live electronics (prose score)
But Is It (Also) Music?
This invited chapter to the Companion volume attempts to situation composition with sounds (as opposed to notes) primarily within music today, but also makes links with fine art, digital arts and sound studies.