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Dirty Electronics: Scream
(Insomnia Festival, Tromso, Norway, 2016-10)
How can something as primordial as the voice find its way into code to become data?’. ‘Can such data carry meaning?’, or, ‘Can the voice ‘become’ sound object? insomnia scream is a machine that takes vocal utterances and ...
Motor Music
(2014-02)
Motor Music II (2014)
for small group and motors
What happens when an AC or DC motor is plugged raw into a mixing desk or connected directly to a speaker?
Motor Music II explores ‘low level’ instrument design and a ...
Computer as Text as Computer
(MENT Festival, Ljubljana, 2017-02)
Computer as Text as Computer is a critique of the material things that surround us. Text and object are explored holistically. Write a statement, poem or polemic that scrolls across a liquid crystal display that is embedded ...
Polytik
(2017-02)
Dirty Electronics and Jack Featherstone come together through Artists & Engineers in the creation of a range of electronic sound modules. The work is a collection of printed circuit boards where the design is distributed ...
Stones & Noises
(Prism Festival, Arizona Sate University, 2016-11)
Stones and Noises - for stones, scrubbing brushes and noise synths - explores sounds produced by repetitive actions of rubbing stones together and scrubbing with brushes opposed by a noise generator. The piece also presents ...
57mm Wavetable Protest Synth
(2018-03-04)
Calling all activists, sound artists, and pseudo philosophers. Dirty Electronics and Max Wainwright will set up an in house press with live publishing straight to 57mm width paper roll. Contribute to the ‘scroll’ through ...
Voice Breaker (for Prisms Festival, 2016)
(Prism Festival, Arizona Sate University, 2016-11)
Voice Breaker- for multiple voice and voltage-controlled feedback - looks at alternative ways of programming code using the voice and exploring the contrasting sound materials of vocal utterance and electronic noise. In a ...
DIY and Maker Communities in Electronic Music
(Cambridge University Press, 2017-10)
Since the late 1990s, there has been huge growth in new do-it-yourself (DIY) and maker communities, reflecting the democratisation of technology. Such practitioners have tended to reject pervasive and ubiquitous technologies ...