Browsing Leicester Media School by Title
Now showing items 374-393 of 1422
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‘Each one teach one’ Visualising Black intellectual life in Handsworth beyond the epistemology of ‘white sociology’
(Article)Handsworth, a suburb in north-west Birmingham, became an important generative epistemic location that produced a number of contested discourses on race and racism in Britain during the 1970s and early 1980s. Using archival ... -
Editorial – Bringing New Music to New Audiences
(Article)As editorial, this text describes the vision of the Creative Europe Interfaces project, the conference that was held in 9/18 with the issue's title and the contents of the issue. -
Editorial: Time in Electroacoustic Music
(Article)This issue addresses the multifaceted topic of time in electroacoustic music. The subject is of course a vast one, as all music is by nature temporal. In Western classical traditions, the various manifestations of time ... -
El Proyecto de Intención/Recepción y su relevancia en el campo de la producción y en el de la educación musical
(Article)This paper offers an introduction to the Intention/Reception (I/R) project outlining its background, its context, pertinent points concerning the design and operation of its methodology, and some of the key results discovered ... -
Electroacoustic Music before Language
(Conference)'The Language of Electroacoustic Music' (Emmerson, 1986) has remained in print continuously since its publication. This paper examines the questions: What has changed in this time? Why has electroacoustic music practice ... -
Electroacoustic Mythmaking: National Grand Narratives in Electroacoustic Music
(Book chapter)Histories of electroacoustic music tend to converge around a limited set of grand narratives, which construct an outline of electroacoustic history organized around themes including the 'Great Studios', a small handful of ... -
Electroacoustic Performance Practice in Interdisciplinary Improvisation
(Article)The increasing mobility and accessibility of electroacoustic tools in recent decades has brought electroacoustic performance practice into ever-closer contact and collaboration with a broad range of other performance ... -
Elsoms Creates
(Other)“For us it’s been an interesting process. Our first reaction was why not let’s give it a try, as it’s developed it’s become an interesting opportunity for us at Elsoms to reflect on who we are and what we do – we spend a ... -
EMAS and Sonic Arts Network (1979–2004): Gender, Governance, Policies, Practice
(Article)This article is based on an examination of the minutes of the Committee/Board and annual general meetings of the Electro-Acoustic Music Association of Great Britain and its successor organisation, Sonic Arts Network, in ... -
Embedding the Corporate Story through Performance
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Emergence and the art system ‘plus minus now’
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Emergence des dimensions temporelles dans la musique électroacoustique
(Conference)La musique électroacoustique, pour celui qui l’analyse ou qui la compose, présente, de par la difficulté de la réduire – à une notation, à une structure, à un style, … – un objet d’étude polymorphe. Au travers d’exemples, ... -
Emergence of gamified commerce: Turning Virtual to Real
(Article)This paper, published in large part in Ciaramitaro’s (2011) Virtual Worlds and E-Commerce, reflects how gaming and virtual worlds have impacted on ecommerce in recent years. A dynamic commercial environment with massive ... -
Emergent Temporal Qualities in Musical Improvisation
(Conference)Musical improvisation is a phenomenon that is found in most cultures and most musical idioms. Consequently, many methods have been used to analyze it, many focusing on structural elements (Arom, 1985; 2004), several on ... -
EMI and the ‘Pre-Heritage’ Period Film
(Article)First coined in the UK in the early 1990s as a new label for an ostensibly new, post-1979 kind and cycle of period cinema, the ‘heritage film’ is now firmly established as a widely used term and category in academic ...