This paper departs from critical discussion of the concepts and terminology used by Denis Smalley to outline the ‘spectromorphological’ approach to the listening process. It then seeks to elaborate and apply salient aspects ...

In electroacoustic music we have the capacity to manipulate sound in an unprecedented number of dimensions - especially to transform, disassemble and remix both natural and digitally created sound-objects over time. This ...

This paper examines ways in which composers of electroacoustic music can create virtual and surreal sound worlds through: (1) the combination of recognisable sound events which may not normally coexist in physical Reality, ...