Now showing items 11-20 of 33
The core research idea in this work is to address the problem of integrating electroacoustic redesign of instrumental sound spectra within a live performance context. The piece consists of 70 pre-composed sound files ...
Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition
Compositional activity in electroacoustic music is central to the research culture of that field. Electroacoustic tools for sound manipulation and transformation allow the creation of sound materials that present new ...
Tongue (2001, 13'47) electroacoustic composition
(Empreintes Digitales, Montréal, 1997)
Virtual attempts to convey the idea of an illusory soundscape set in vibrant motion by the wind — an invisible and capricious source of energy for the ‘virtual’ objects in the space, the exact nature of which we are left ...
The interaction of sound identities in electroacoustic music.
Electroacoustic music technology allows for the creation of distinctive ‘hybrid’ interactions between sounds, since features defining the identity of one sound object (such as dynamic profile or spectral envelope) can be ...
(Empreintes Digitales, 1996)
Inner extends out of the sound and sensation of human breath — from a visceral and magnified perspective. The starting point was concentrated listening to some straightforward electroacoustic transformations of breath ...
(Premiered Tempo Reale Festival, Florence, 29 September 2015., 2015)
Brink attempts to convey a form characterised by continuous sonic renewal and evolution. I like to think of sound as physical matter and, by blending parallel processes of transformation and recurrence, this work aims to ...
Notes, Sounds, Outside and Insides: Perspectives on Pitch in Acousmatic Music
Acousmatic music has facilitated some of the most radical extensions of musical materials and methods available to the composer, moving beyond the traditional instrumental paradigm centred on melodic and harmonic forms ...
Practice, process and aesthetic reflection in Electroacoustic Music.
(Cambridge University Press, 2007-04)
This is an editorial article introducting ideas around the relationship between practice and the emerging theory of electroacoustic music.
Sju ... Who?
(De Montfort University, 2001)
This paper presents a discussion of the motivations and techniques used in the author’s electroacoustic work Sju. The piece is based on digital recordings of a Swedish word that, in daily Swedish, is pronounced in two ...