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Now showing items 1-9 of 9
Reflections on sound image design in electroacoustic music
(Cambridge University Press, 2007-04-01)
Lieu-temps [Of time and place] (2007) (Ricordiamo Forlì, 2005 - 53'30", Arrivederci, 2005 - 15'40") DVD-A (digital audio media), Empreintes digitales iMED0787, Montréal, 2007
(Empreintes Digitales, Montréal, 2007-12-01)
Half-heard sounds in the summer air: Electroacoustic music in Wellington and the South Island of New Zealand.
(Cambridge University Press, 2001-04)
This article traces the evolution of electroacoustic music in Wellington and the South Island of New Zealand. Electroacoustic music has a well-established tradition in New Zealand, dating back to Douglas Lilburn’s pioneering ...
Inventing memory: Documentary and imagination in acousmatic music.
(Middlesex University Press, 2008)
The potential for sound recording to act as a surrogate for memory is evaluated in terms of its use in the composition of acousmatic music. Adapted from the writing of Walter Benjamin, sound recording of real-life events ...
Tongue (2001, 13'47) electroacoustic composition
(2001-12-14)
Practice, process and aesthetic reflection in Electroacoustic Music.
(Cambridge University Press, 2007-04)
This is an editorial article introducting ideas around the relationship between practice and the emerging theory of electroacoustic music.
Pythagoras's Curtain
(Empreintes Digitales, Montréal, 2001)
In electroacoustic music the loudspeaker can be thought of as a ‘veil’ isolating our experience of sound from other senses. This allows for a heightened appreciation of the aural dimension and creates a new listening context ...
Sound morphology and the articulation of structure in electroacoustic music.
(Cambridge University Press, 2004-04)
In electroacoustic music we have the capacity to manipulate sound in an unprecedented number of dimensions - especially to transform, disassemble and remix both natural and digitally created sound-objects over time. This ...
