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dc.contributor.authorAcciari, Monia
dc.date.accessioned2019-07-11T08:02:10Z
dc.date.available2019-07-11T08:02:10Z
dc.date.issued2019-09
dc.identifier.citationAcciari, M. (2019) The permanency of film festivals: Archiving the changing India. South Asian Film and Media Journal, 10(2),en
dc.identifier.issn1756-4921
dc.identifier.urihttps://www.dora.dmu.ac.uk/handle/2086/18205
dc.descriptionThe file attached to this record is the author's final peer reviewed version.en
dc.description.abstractTime and space are two dimensions that define a film festival in relation to duration, and cultural, social, urban and political relations to the event. While the notion of space is well documented by the literature on film festivals, the idea of time is merely connected to the length of the event, mostly defined as volatile in nature. The overall aim of this article is to present an understanding of film festivals as multifaceted sociocultural and historical events beyond the idea of volatility that is naturally conferred to them. The idea of diverse intersecting temporalities is explored in this article by observing curated units of a festival – commemorative events – as loci to uncover the distinctive connotations of a changing nation. Time in film festival is discussed here not only as a dimension defining the length of the event, but also as an active element able to present history, moments of remembrance and renegotiate and contextualize current political and social instances. Hence, it is argued that festivals can be considered within the broad debate of archive a counter-archive, in which history and documents (the films) become channels to reassess the everyday social life of India, and shape a renovated image of the Nation.en
dc.language.isoenen
dc.publisherIntellecten
dc.subjectFilm Festivals in Indiaen
dc.subjectTemporalitiesen
dc.subjectCounter-archival festivalsen
dc.subjectState of Exceptionen
dc.subjectCommemorative eventsen
dc.subjectCuratorshipen
dc.titleThe permanency of film festivals: Archiving the changing Indiaen
dc.typeArticleen
dc.peerreviewedYesen
dc.funderNo external funderen
dc.cclicenceCC-BY-NCen
dc.date.acceptance2017-11-30
dc.researchinstituteCinema and Television History Institute (CATHI)en


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