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dc.contributor.authorCurtis, Harriet
dc.date.accessioned2019-05-17T12:45:26Z
dc.date.available2019-05-17T12:45:26Z
dc.date.issued2013
dc.identifier.citationCurtis, H. (2013) ‘From Painting to Performance: Figuring the Abject in Los Angeles Art’ (L.A. RAW: Abject Expressionism in Los Angeles 1945-1980, From Rico Lebrun to Paul McCarthy, exh. cat. by Michael Duncan). Art History, 36:1, pp. 224-226.en
dc.identifier.issn1467-8365
dc.identifier.urihttps://www.dora.dmu.ac.uk/handle/2086/17850
dc.description.abstractThis is a review of: Duncan, Michael (2012). L.A. RAW: Abject Expressionism in Los Angeles 1945-1980, From Rico Lebrun to Paul McCarthy, exh. cat. Santa Monica: Foggy Notion Books and Pasadena Museum of California Art, and an exhibition with the same name at the Pasadena Museum of California Art.en
dc.language.isoenen
dc.publisherWileyen
dc.subjectLos Angelesen
dc.subjectart historyen
dc.subjectpaintingen
dc.subjectperformanceen
dc.subjectart exhibitionsen
dc.titleFrom Painting to Performance: Figuring the Abject in Los Angeles Art.en
dc.typeArticleen
dc.identifier.doihttps://doi.org/10.1111/j.1467-8365.2013.00947.x
dc.funderNo external funderen
dc.cclicenceN/Aen
dc.date.acceptance2012
dc.researchinstituteInstitute of Drama, Dance and Performance Studiesen


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