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dc.contributor.authorClarke, Louiseen
dc.date.accessioned2018-04-06T10:04:07Z
dc.date.available2018-04-06T10:04:07Z
dc.date.issued2017-07
dc.identifier.citationClarke, L. (2017) Cutting up rough. The Saatchi Gallery Magazine: Art & Music, (38), p.18.en
dc.identifier.urihttp://hdl.handle.net/2086/15825
dc.description.abstractMontage is now firmly embedded in fine art education and practice, with John Stezaker's decisively cut photographic collages now as ubiquitous as Picasso's drawings in a Foundation courses' arsenal of references. In her latest column, Louise Clarke uses an invitation to hold a workshop at Fermynwoods Contemporary Art, in Northamptonshire, as a timely excuse to re-engage in the punk-style liberation of cutting out, photocopying and collaging.en
dc.language.isoenen
dc.publisherThe Saatchi Galleryen
dc.subjectMontageen
dc.subjectJohn Stezakeren
dc.subjectFermynwoods Contemporary Arten
dc.subjectCollageen
dc.subjectHannah Hochen
dc.titleCutting up roughen
dc.typeArticleen
dc.researchgroupFine Art Practicesen
dc.peerreviewedYesen
dc.funderN/Aen
dc.projectidN/Aen
dc.cclicenceN/Aen
dc.date.acceptance2017-06-01en
dc.researchinstituteInstitute of Art and Designen


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