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dc.contributor.authorClarke, Louiseen
dc.date.accessioned2017-03-27T13:25:11Z
dc.date.available2017-03-27T13:25:11Z
dc.date.issued2014
dc.identifier.citationClarke, L. (2014) Hannah Hoch. The Saatchi Gallery Magazine: Art&Music, (26), p. 56en
dc.identifier.issn2042-1648
dc.identifier.urihttp://hdl.handle.net/2086/13877
dc.descriptionA review of the Hannah Hoch retrospective exhibition at the Whitechapel Gallery, London 2014. Best known for her association with the Dada movement, this exhibition offers a wider reading of her work through feminism, sexism and process. The review included two illustrations: Hannah Hoch, Ohne Titel, 1930 Museum fur Kunst und Gewerbe, Hamburg Photo: courtesy of Maria Thrun Hannah Hoch, Ohne Titel, 1929 Federal Republic of Germany - Collection of Contemporary Art Image: bpk / Kupferstichkabinett, SMB / Jorg P. Andersen
dc.language.isoenen
dc.publisherThe Saatchi Gallery Magazine: Art&Musicen
dc.subjectHannah Hochen
dc.subjectCollageen
dc.subjectMontageen
dc.subjectDadaen
dc.subjectAppropriationen
dc.subjectFeminismen
dc.subjectWhitechapel Galleryen
dc.titleHannah Hochen
dc.typeOtheren
dc.researchgroupFine Art Practicesen
dc.peerreviewedYesen
dc.funderThe Saatchi Galleryen
dc.funderThe Saatchi Gallery Magazine: Art&Musicen
dc.projectidN/Aen
dc.cclicenceN/Aen
dc.date.acceptance2014-5-01en
dc.researchinstituteInstitute of Art and Designen


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