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dc.contributor.authorAndean, Jamesen
dc.date.accessioned2016-07-25T10:01:48Z
dc.date.available2016-07-25T10:01:48Z
dc.date.issued2016-11-11
dc.identifier.citationAndean, J. (2016) Narrative Modes in Acousmatic Music. Organised Sound 21 (3).en
dc.identifier.issn1355-7718
dc.identifier.urihttp://hdl.handle.net/2086/12339
dc.descriptionThe file attached to this record is the author's final peer reviewed version. The Publisher's final version can be found by following the DOI link.en
dc.description.abstractBeginning with a brief overview of acousmatic narrative, this article proposes that in listening to acousmatic music we select and move between distinct narrative modes, according to the requirements and implications of a given work or shifting between modes as the work progresses. Similarities and differences with existing theory are considered. Ten narrative modes are proposed as relevant for acousmatic music and discussed. Finally, the appearance of narrative archetypes across multiple modes is considered, as well as similarities across other musics and other fields.en
dc.language.isoenen
dc.publisherCambridge University Pressen
dc.subjectAcousmaticen
dc.subjectElectroacousticen
dc.subjectNarrativeen
dc.titleNarrative Modes in Acousmatic Musicen
dc.typeArticleen
dc.identifier.doihttps://doi.org/10.1017/s1355771816000157
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.peerreviewedYesen
dc.explorer.multimediaNoen
dc.funderN/Aen
dc.projectidN/Aen
dc.cclicenceCC-BY-NC-NDen
dc.date.acceptance2016-07-01en
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en


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