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dc.contributor.authorLembke, Sven-Aminen
dc.contributor.authorMcAdams, Stephenen
dc.date.accessioned2016-04-12T08:43:32Z
dc.date.available2016-04-12T08:43:32Z
dc.date.issued2012
dc.identifier.citationLembke, S.-A. and McAdams, S. (2012) Timbre blending of wind instruments : acoustics and perception. In: Proc. 5th International Conference of Students of Systematic Musicology / SysMus12. Montreal, pp. 1–5en
dc.identifier.urihttp://sysmus12.oicrm.org/wp-content/uploads/2012/02/SysMus2012_LembkeMcAdams.pdf
dc.identifier.urihttp://hdl.handle.net/2086/11866
dc.description.abstractThe acoustical and perceptual factors involved in timbre blending between orchestral wind instruments are investi- gated based on a pitch-invariant acoustical description of wind instruments. This description involves the estimation of spectral envelopes and identification of prominent spectral maxima or ‘formants’. A possible perceptual relevance for these formants is tested in two experiments employing differ- ent behavioral tasks. Relative frequency location and mag- nitude differences between formants can be shown to bear a pitch-invariant perceptual relevance to blend for several in- struments, with these findings contributing to a perceptual theory of orchestration.en
dc.language.isoen_USen
dc.subjectmusicen
dc.subjectacousticsen
dc.subjectpsychoacousticsen
dc.subjectauditory perceptionen
dc.titleTimbre blending of wind instruments: acoustics and perceptionen
dc.typeConferenceen
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.peerreviewedYesen
dc.explorer.multimediaNoen
dc.fundernoneen
dc.projectidnoneen
dc.cclicenceCC-BY-NCen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en


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