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dc.contributor.authorWarden, Claireen
dc.date.accessioned2016-03-02T11:58:44Z
dc.date.available2016-03-02T11:58:44Z
dc.date.issued2013
dc.identifier.citationWarden, C. (2013) The Poetic Materiality of Fascism on the British Stage. In: Sascha Bru, David Ayers, Benedikt Hjartarson and Anne Reverseau (eds.) The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange. De Gruyter, pp. 82-93en
dc.identifier.isbn9783110317374
dc.identifier.urihttp://hdl.handle.net/2086/11558
dc.description.abstractThis chapter examines the presentation of fascism in British theatre, looking particularly at Stephen Spender's Trial of a Judge.en
dc.language.isoenen
dc.publisherDe Gruyteren
dc.subjecttheatreen
dc.titleThe Poetic Materiality of Fascism on the British Stageen
dc.typeBook chapteren
dc.researchgroupPerformance Research Groupen
dc.peerreviewedYesen
dc.funderN/Aen
dc.projectidN/Aen


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