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dc.contributor.authorPasternak, Gilen
dc.date.accessioned2015-12-01T11:15:17Z
dc.date.available2015-12-01T11:15:17Z
dc.date.issued2012-09-19
dc.identifier.citationPasternak, G. (2012) Artistic Occupation: Camouflaging Difference in Photographic Imagery of the Middle East.en
dc.identifier.urihttp://hdl.handle.net/2086/11383
dc.descriptionI delivered this talk at the Visual Communication and Globalization Symposium, the University of Leeds.en
dc.description.abstractIn this invited presentation I looked into processes of cultural exchange and hybridisation carried out in and through photographic practices and images. It focused on nineteenth-, twentieth-, and twenty-first century visual negotiations of social identities in the Middle East, in the light of colonialist expansion and military conquest. I demonstrated that these inform the visual vocabularies and subjectivities in question, complicating normative narratives about, and the perception of the peoples living in this geographical terrain.en
dc.language.isoenen
dc.subjectCultural exchangeen
dc.subjectCultural hybridisationen
dc.subjectSocial identitiesen
dc.subjectPhotography and the Middle Easten
dc.subjectGeographical imaginationen
dc.titleArtistic Occupation: Camouflaging Difference in Photographic Imagery of the Middle Easten
dc.typePresentationen
dc.researchgroupPhotographic History Research Centre (PHRC)en
dc.funderN/Aen
dc.projectidN/Aen
dc.researchinstituteMedia Discourse Centre (MDC)en
dc.researchinstituteInstitute of Art and Designen


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