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Showing versus telling: Shakespeare's ekphraseis, visual absences and the cinema

Egan, Gabriel (© Gabriel Egan, 1999)

'The outlook changeable, but mostly wet'. Review of The Two Gentlemen of Verona, directed by Jack Shepherd at Shakespeare's Globe London, 24 August 1996.

Egan, Gabriel (TSL Education Ltd., 1996)

The use of booths in the original staging of Jonson's Bartholomew Fair

Egan, Gabriel (© Gabriel Egan, 1996)

'Away with sinful priests'. Review of Everyman, directed by Kathryn Hunter and Marcello Magni at The Other Place, Stratford-upon-Avon, 14 November 1996

Egan, Gabriel (TSL Education Ltd., 1996)

The Lords Howard's Men at the Rose and on Tour in 1599

Egan, Gabriel (© Oxford University Press, 1999)

Review of Leah S. Marcus, 'Unediting the renaissance: Shakespeare, Marlowe, Milton' (London: Routledge, 1996)

Egan, Gabriel (© Modern Humanities Research Association, 1998)

Geometrical hinges and the frons scenae of the Globe

Egan, Gabriel (© Society for Theatre Research, 1998)

Review of Scott McMillin and Sally-Beth MacLean, 'The Queen's Men and their plays' (Cambridge: Cambridge University Press, 1998)

Egan, Gabriel (© Society for Theatre Research, 1999)

Where was the Lords room in the Shakespearian playhouse?

Egan, Gabriel (1996)

Review of Samuel Beckett 'Krapp's Last Tape', directed by Edward Petherbridge and David Hunt at The Other Place, Stratford-upon-Avon, 26 June 1997

Egan, Gabriel (TSL Education Ltd., 1997)

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