Now showing items 1-5 of 5
'Canyon and Cave' digital print in the Fold exhibition
(IMPACT 9, 2015)
'Fold' was a portfolio of prints curated by Wuon-Gean Ho for IMPACT 9, international printmaking conference. The portfolio responded to questions of the relevance and meaning of print in the digital age. The aspects of ...
(Royal College of Art, 2015)
This was a performed reading of ‘Waking Ouroboros’, an illustrated essay that interweaves a near-future, magical realist, short fiction with speculative musings on the notions of transparency, visibility, surveillance and ...
Re-presentation: A Tactical Approach to 21st Century Visibility
(Re:Print/Re:Present Conference, Anglia Ruskin University, 2015)
In the networked condition of the 21st century, everyday life takes on a radical visibility, putting serious limitations on old forms of tactical creativity, and perhaps necessitating a new understanding of tactics, ...
Artefact of Vision
(Southern Graphics Council International, 2015)
The theme “Distortion” celebrates our subjective view of the world and calls for prints which require a unique vantage point, both physically as well as conceptually, in order to be read. This topic draws upon the tricks ...
Intersecting Practices of Contemporary Printmaking in the UK
'Intersecting Practices of Contemporary Printmaking in the UK' was an international exhibition taking place at the China Academy of Art during IMPACT 2015, a biennial international conference on print. This exhibition of ...