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About the Electroacoustic Resource Site (EARS) Project
(Sonic Arts Network, 2003-11)
A brief description of the EARS project
Reviewing the Musicology of Electroacoustic Music: a plea for greater triangulation
(Cambridge University Press, 1999-04)
Both electroacoustic music and its associated musicology are a half century old. Although the number of relevant technological developments during this time could be said to be extremely high, its music has known relatively ...
La synthèse sonore: enfin l’émancipation?
(Groupe de musique expérimentale de Marseille (GMEM), 2002-05)
Cet article est basé sur un jeu de mots. La synthèse sonore est, bien sûr, la création de sons par des moyens analogiques ou numériques. Il y a par contre quelque chose qui m’intéresse au plus haut point, à savoir la ...
On the Paradigmatic Behaviour of Sound-based Music
(Electroacoustic Music Studies Network, 2008)
Following François Delalande’s description of ‘an electroacoustic music paradigm’ (“Le son des musiques”, 2001), an alternative based on sound-based music (music based on sounds as opposed to notes) will be presented. It ...
En el Límite 1/1
(CEPSA/UNLa (Univ. Nacional de Lanús, Argentina), 2010-10)
The Analysis of Electroacoustic Music, the Differing Needs of its Genres and Categories
(Electroacoustic Music Studies Network, 2012)
This paper reports on our (Arts and Humanities Research Council funded) project New Multimedia Tools for Electroacoustic Music Analysis, designed for a range of genres, drawing together existing methods, engaging the latest ...
Book reviews: Bernd Schulz, ed. Felix Hess: Light as Air, Robin Minard: Silent Music – Between Sound Art and Acoustic Design, Christine Kubisch, KlangRaumZeitLicht,
(Cambridge University Press, 2003-08)
N/A
Book review: Thomas Licata, ed. Electroacoustic Music: Analytical Perspectives.
(Notes, the Quarterly Journal of the Music Library Association, 2003-09)
N/A
Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship
(International Computer Music Assocation, 1999-09)
Celebrating its fiftieth birthday in the late 1990s, electroacoustic music and its associated musicology are very much alive, but not necessarily as well as they might be. This text investigates why musicology is not ...
eOrema – a word of welcome
(orema.dmu.ac.uk, 2013)
N/A
