The Feather is a digital score for an improvising quartet. It is inspired by an extract from a Tove Jansson short story The Scolder from her book The Summer Book. In this extract an elderly grandmother is lying down on a ...

This keynote will present a philosophical perspective on the co-operative relationships between musicians and their technology. It will explore notions of embodiment and augmented relationships between the musicians and ...

This chapter explores technology’s role as a key creative agent within digital dance performance making. Using the author’s own embodied experiences of moving in media-rich environments, the tensions that can exist in the ...

This is a review of: Wilson, Siona (ed.) (2015) Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance. Minneapolis: University of Minnesota Press.

This is a review of: Duncan, Michael (2012). L.A. RAW: Abject Expressionism in Los Angeles 1945-1980, From Rico Lebrun to Paul McCarthy, exh. cat. Santa Monica: Foggy Notion Books and Pasadena Museum of California Art, and ...

This is a review of: Phelan, Peggy (ed.) (2012). Live Art in L.A.: Performance in Southern California 1970-1983. London and New York: Routledge.

This is a book review of: Crone, Bridget (ed.) (2017). The Sensible Stage: Staging and the Moving Image. Bristol and Chicago: Intellect.

This is a book review of: Guy, Georgina (2016) Theatre, Exhibition and Curation: Displayed and Performed. Oxon and New York: Routledge.

The Live Art Almanac Volume 4 is a collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations ...

The importance of being serious and treating the practice seriously is emphasised across many different psychophysical performer trainings, with practitioners following Grotowski’s lead and emphasising the need to ‘Leave ...