Now showing items 1-10 of 203
The book as object in Ray Galton and Alan Simpson’s 'Hancock’s half hour' scripts
It is common critical practice these days to describe the work of previous generations of critics as idealistic in the worst possible sense, treating literature as though it existed in a realm of pristine ideas when in ...
Review of Scott McMillin and Sally-Beth MacLean, 'The Queen's Men and their plays' (Cambridge: Cambridge University Press, 1998)
(© Society for Theatre Research, 1999)
Review of Theodore B. Leinwand, 'Theatre, finance and society in early modern England' (Cambridge: Cambridge University Press, 1999)
(© Cambridge University Press, 2000)
Theatrical conditions and organization; theatre building and equipment; theatre personnel
(Oxford University Press, 2001)
Encyclopaedia entries on book historians and theorists
(© Oxford University Press, 2010)
Precision, consistency and completeness in early-modern playbook manuscripts: the evidence from Thomas of Woodstock and John a Kent and John a Cumber
(Oxford Journals © the author, 2011)
In three influential essays of the 1980s, William B. Long challenged the standard New Bibliographical characterization of early-modern promptbooks and established a new othodoxy (Long 1985b; Long 1985a; Long 1989). Contrary ...
A research interview with theatre historian Martin White on indoor playing, staging and repertories (22 minutes)
(De Montfort University, 2013)