Show simple item record

dc.contributor.authorCruickshank, Tracyen
dc.date.accessioned2015-02-04T10:29:09Z
dc.date.available2015-02-04T10:29:09Z
dc.date.issued2014
dc.identifier.citationCruickshank, T. (2014) Performance. In: Peter Stockwell and Sara Whiteley (eds.) The Handbook of Stylistics, Cambridge: Cambridge University Press, pp. 456-466en
dc.identifier.isbn9781107028876
dc.identifier.urihttp://hdl.handle.net/2086/10625
dc.description.abstractThis chapter looks to recent and established positions in the fields from which stylistics and performance might respectively be plucked and offers, with further reference to cognate critical theories, an analysis of Richard Bean’s play England People Very Nice (2009) and Jez Butterworth’s Jerusalem (2009). Beginning with a discussion of the performance and representation of England in the staged and fictional worlds of the plays, analysis later focuses on Mark Rylance’s performance as Johnny Rooster Byron in the closing minutes of the 2011–12 production of Jerusalem at The Apollo Theatre, London (dir. Rickson 2011).en
dc.language.isoenen
dc.publisherCambridge University Pressen
dc.subjectStylisticsen
dc.subjectperformanceen
dc.subjectRichard Beanen
dc.subjectJez Butterworthen
dc.titlePerformanceen
dc.typeBook chapteren
dc.identifier.doihttps://doi.org/10.1017/cbo9781139237031.034
dc.researchgroupPerformance Research Groupen
dc.peerreviewedYesen
dc.explorer.multimediaNoen
dc.fundern/aen
dc.projectidn/aen


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record