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      • Blasting out of the past: the politics of history and memory in Janez Jansa's Reconstructions 

        Burt, Ramsay, 1953- (Book chapter)
        This chapter analyzes three reenactments by the Slovenian director Janez Janša, two reconstructions of experimental performances made under communism in Ljubljana during the late 1960s and early 1970s by poets and performers ...
      • Creative Process and Pedagogy with Interactive Dance, Music and Image 

        Francksen, Kerry; Battey, B.; Breslin, Jo (Conference)
        This lecture-demonstration reflects on a research-informed teaching project in which teaching staff in dance and music technology collaborated on technical and pedagogic research and artistic creation in interactive dance. ...
      • Dance Performance and Virtual Reality - an investigation of current practice and a suggested tool for analysis. 

        Smith, Sophy (Article)
        The relationship between performance and VR technologies has been ongoing since the initial development of VR in the 1980s. Much has been written about the flurry of experimentation in VR and performance during the 1990s, ...
      • Dance, Brexit and post-truth hate merchants 

        Burt, Ramsay (Book chapter)
        Discussion of Rita Marcalo's project Dance with Strangers: From Calais to England and its treatment by right-wing tabloid journalists.
      • Postcolonial Cultures 

        Featherstone, S. (Book)
        The book explores current topics in the field of postcolonial studies such as nationhood, hybridity and identity, globalism and localism, diasporas and the politics of gender and cultural diversity through a range of case ...
      • Redefining employability: Student voices mapping their dance journeys and futures. 

        Higdon, Rachel Delta; Stevens, Jayne (Article)
        This paper explores dance students’ understanding of employability and their views about their dance futures in order to inform higher education curricula and workforce development. The investigation focuses on the student ...
      • Revisiting "No to spectacle": self unfinished and Véronique Doisneau. 

        Burt, Ramsay, 1953- (Article)
        This essay presents readings of Jérôme Bel's 'Veronique Doisneau' and Xavier Le Roy's 'Self Unfinished' that examines the social and political implications of their use of experimental artistic strategies. It places these ...
      • Seeing myself dance: video and reflective learning in dance technique 

        Doughty, Sally; Stevens, Jayne (Other)
        This paper will address the conference theme of parity/choice between practice and theory within a dance course. It deals specifically with an example from an undergraduate dance provision. The paper draws on ongoing action ...
      • three ones 

        Fitzpatrick, Marie (Other)
        Performance work especially adapted for the mainstage at Royal Concert Hall, Nottingham as part of the international dance festival NottDance 2015.
      • Time and the everyday 

        Burt, Ramsay, 1953- (Book chapter)
      • Will you play? Implications of audience interventions in improvised dance performance 

        Breslin, Jo; Cowley, Jill; Doughty, Sally (Article)
        This article addresses participation through audience interventions in the work of Quick Shifts Improvisation Collective. It reflects upon a range of approaches taken by Quick Shifts that invite audience members to participate ...
      • Women performing masculine clumsiness 

        Burt, Ramsay, 1953- (Other)
        This paper discusses Lea Anderson\'s 2004/5 revival of her 1989 piece Greetings as part of the programme Double Take. Greetings, which draws on imagery from the Marx Brothers, Morecambe and Wise and other male comedy acts, ...

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