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    Browsing by Author "Layne, Bethany"

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      • The Anchored Imagination of the Biographical Novel 

        Layne, Bethany; Toibin, C. (Book chapter)
      • BBC’s adaptation of Malory Towers reveals more about the period and its diversity than Blyton’s book 

        Layne, Bethany (Article)
      • Biofiction and the Paratext: Troubling Claims to Truth 

        Layne, Bethany (Other)
      • Biofiction and Writers' Afterlives 

        Layne, Bethany (Book)
      • The Bionovel as a Hybrid Genre 

        Layne, Bethany (Book chapter)
      • Colm Toibin: The Anchored Imagination of the Biographical Novel 

        Layne, Bethany (Other)
      • The Haunting of Bly Manor: why Henry James’s eerie tale still inspires so many adaptations 

        Layne, Bethany (Article)
      • Henry James in Contemporary Fiction: The Real Thing 

        Layne, Bethany (Book)
        This book explores the extraordinary proliferation of novels based on Henry James’s life and works published between 2001 and 2016, the centenary of his death. Part One concentrates on biofictions about James by David Lodge ...
      • Henry would never know he hadn't written it himself: The Implications of "Dictation" (2008) for Jamesian Style 

        Layne, Bethany (Article)
        This essay explores the critical implications of Cynthia Ozick’s “Dictation,” a work of biographical fiction in which James and Conrad’s typists covertly exchange excerpts from “The Jolly Corner” and “The Secret Sharer.” ...
      • Her Own Words Describe Her Best? Reconstructing Plath’s Original Ariel in Sylvia (2003) and Wintering (2003) 

        Layne, Bethany (Article)
        This article explores two of Sylvia Plath’s afterlives: John Brownlow and Christine Jeffs’ biopic Sylvia (2003) and Kate Moses’s novel Wintering (2003). Contrary to Frieda Hughes’s assertion that such works attempt to ...
      • I did it, I: The Afterlife of Sylvia Plath's Journals, 1956-2003 

        Layne, Bethany (Article)
        This essay challenges what Sarah Cardwell calls the ‘centre-based model of adaptation’ by reinstating a chain of literary texts between a passage in Emma Tennant’s The Ballad of Sylvia and Ted (2001) and the entry in Sylvia ...
      • "Legitimating the Pornographic: The 'What' Versus the 'How' of Representation in Lady Chatterley's Lover and the 'Nausicaa' episode of Ulysses. 

        Layne, Bethany (Article)
      • Portraits and Palimpsests: Review of John Banville's Mrs Osmond 

        Layne, Bethany (Article)
      • Postmodernism and the Biographical Novel 

        Layne, Bethany (Book chapter)
      • Queering The Ambassadors: Michiel Heyns's Invisible Furies and Jamesian Appropriation 

        Layne, Bethany (Article)
      • Reinstating "The Person to Whom Things Happened": Review of Priya Parmar, Vanessa and Her Sister, Norah Vincent, Adeline: A Novel of Virginia Woolf, and Maggie Gee, Virginia Woolf in Manhattan. 

        Layne, Bethany (Other)
      • Review of Kate Mitchell's History and Cultural Memory in Neo-Victorian Fiction: Victorian Afterimages 

        Layne, Bethany (Other)
      • Simultaneously Anticipatory and Retrospective: (Re)reading Henry James through Colm Toibin's The Master. 

        Layne, Bethany (Article)
      • The “Supreme Portrait Artist” and the “Mistress of the Phrase”: Contesting Oppositional Portrayals of Woolf and Bell, Life and Art, in Susan Sellers’s Vanessa and Virginia (2008) 

        Layne, Bethany (Article)
        This article offers one of the first sustained explorations of Susan Sellers’s biofiction Vanessa and Virginia (2008), tracing the text’s intersections with biographies of Woolf and Bell and placing it in dialogue with ...
      • “They leave out the person to whom things happened”: Re-reading the biographical subject in Sigrid Nunez’s Mitz: The Marmoset of Bloomsbury (1998) 

        Layne, Bethany (Book chapter)

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