Now showing items 1-4 of 4
Sound in structure: Applying spectromorphological concepts.
(Electroacoustic Music Studies Network, 2005)
This paper departs from critical discussion of the concepts and terminology used by Denis Smalley to outline the ‘spectromorphological’ approach to the listening process. It then seeks to elaborate and apply salient aspects ...
The extended environment.
(International Computer Music Association, 1994)
The potential in electroacoustic music to amalgamate sounds of natural real-world sources with the powerful signal processing and synthesis offered by computers makes possible interplay between different levels of sonic ...
The core research idea in this work is to address the problem of integrating electroacoustic redesign of instrumental sound spectra within a live performance context. The piece consists of 70 pre-composed sound files ...
A practice-based approach to using acoustics and technology in musicianship training.
(International Computer Music Association, 2007)
Digital audio tools can be used to facilitate many aspects of traditional note-based music making, but one of the challenges they present is also found in their potential to open up new opportunities for the shaping and ...