Hannah Hoch
dc.cclicence | N/A | en |
dc.contributor.author | Clarke, Louise | en |
dc.date.acceptance | 2014-5-01 | en |
dc.date.accessioned | 2017-03-27T13:25:11Z | |
dc.date.available | 2017-03-27T13:25:11Z | |
dc.date.issued | 2014 | |
dc.description | A review of the Hannah Hoch retrospective exhibition at the Whitechapel Gallery, London 2014. Best known for her association with the Dada movement, this exhibition offers a wider reading of her work through feminism, sexism and process. The review included two illustrations: Hannah Hoch, Ohne Titel, 1930 Museum fur Kunst und Gewerbe, Hamburg Photo: courtesy of Maria Thrun Hannah Hoch, Ohne Titel, 1929 Federal Republic of Germany - Collection of Contemporary Art Image: bpk / Kupferstichkabinett, SMB / Jorg P. Anders | en |
dc.funder | The Saatchi Gallery | en |
dc.funder | The Saatchi Gallery Magazine: Art&Music | en |
dc.identifier.citation | Clarke, L. (2014) Hannah Hoch. The Saatchi Gallery Magazine: Art&Music, (26), p. 56 | en |
dc.identifier.issn | 2042-1648 | |
dc.identifier.uri | http://hdl.handle.net/2086/13877 | |
dc.language.iso | en | en |
dc.peerreviewed | Yes | en |
dc.projectid | N/A | en |
dc.publisher | The Saatchi Gallery Magazine: Art&Music | en |
dc.researchgroup | Fine Art Practices | en |
dc.researchinstitute | Institute of Art and Design | en |
dc.subject | Hannah Hoch | en |
dc.subject | Collage | en |
dc.subject | Montage | en |
dc.subject | Dada | en |
dc.subject | Appropriation | en |
dc.subject | Feminism | en |
dc.subject | Whitechapel Gallery | en |
dc.title | Hannah Hoch | en |
dc.type | Other | en |
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