The English Folk Voice: Singing and Cultural Identity in the English Folk Revival, 1955-65

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dc.contributor.authorFeatherstone, S.en
dc.date.accessioned2013-09-16T09:30:25Z
dc.date.available2013-09-16T09:30:25Z
dc.date.issued2013
dc.description.abstractThe chapter examines the meanings of the distinctive singing style associated with the post-Second World War English folk revival. It argues that this 'folk voice' represents a performative response to the cultural challenges presented by the Edwardian folk revival, a new emphasis on cultural authenticity and the influence of imported recordings of American traditional music.en
dc.fundernoneen
dc.identifier.citationFeatherstone, S. (2013) The English Folk Voice: Singing and Cultural identity in the English Folk Revival. In: Sherril Dodds and Susan C. Cook (eds.) Bodies of Sound: Studies Across Popular Music and Dance. Farnham and Burlington, VT: Ashgate, pp. 73-84.en
dc.identifier.isbn9781409445173
dc.identifier.urihttp://hdl.handle.net/2086/9012
dc.language.isoenen
dc.peerreviewedYesen
dc.projectidnoneen
dc.publisherAshgateen
dc.researchgroupDrama Research Group
dc.titleThe English Folk Voice: Singing and Cultural Identity in the English Folk Revival, 1955-65en
dc.typeBook chapteren

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